School Staff & Faculty

Kathy Thibodeaux

ARTISTIC DIRECTOR

Kathy Thibodeaux began her dance training at the age of six with the Jackson Ballet School under the direction of Albia Kavan and Rex Cooper. When the Jackson Ballet Company turned professional in 1978, Kathy was one of the first dancers to be contracted. Soon after being a contracted dancer, Kathy soared to the highest levels of the company, becoming a Principal Dancer, a position she held successfully until 1986.
During her tenure with the Jackson Ballet (later Ballet Mississippi), she appeared as the Sugar Plum Fairy in The Nutcracker, the Pigtail Girl in Graduation Ball, Odette in Swan Lake - Act II, Taglioni in Pas de Quatre, and had leading roles in Les Sylphides and La Bayadere - Act II. She has danced principal roles in John Butler’s Othello, Todd Bolendar’s Stillpoint, Jean-Paul Comelin’s Daughter of Morning, and William Christensen’s Bravura, as well as such traditional grand pas de deux as Don Quixote, Le Corsaire, and Raymonda.
In 1982, Kathy was awarded a silver medal for her performance at the II USA International Ballet Competition (IBC), where she premiered her solo piece, “We Shall Behold Him.” She was featured in the 90-minute ABC/PBS documentary, “To Dance for Gold," which documented her progress through the II USA IBC and her silver medal win. She has been a guest instructor at several of the USA International Ballet Competitions and has performed for their Gala in Jackson, Mississippi.
Her desire to use her God-given talent of dance to share her faith in Jesus Christ led Kathy to resign from Ballet Mississippi and found her own company, Ballet Magnificat!, in 1986.
Through the creation of Ballet Magnificat, Kathy has performed many ensemble, solo, and principal roles, as well as choreographed several works for the company, including Creation (1987), Regathering (1988), Light Eternal (1989), Joy (1989), Thy Kingdom Come (1989), A Christmas Festival (1991), Praise Magnificat (1992), Sanctuary (1992), sections of Savior (1996), Unveiled Hope (1997), Freedom (2002), A Christmas Dream (2006) sans the “Battle Scene”, and sections of Snow Queen (2011).
In 2006, Kathy authored a children's book based on the ballet A Christmas Dream which she choreographed in honor of Ballet Magnificat!'s 20 anniversary.
In 1983, “Kathy Thibodeaux Day” was proclaimed by order of Mississippi Governor William Winter, a commendation by Mississippi Governor Ray Mabus was issued in 1989, and a resolution commending Kathy was given by the Alabama Senate in 1998. In 2008, Mississippi Governor Haley Barbour, along with Peavey Music Founder Hartley Peavey, presented Kathy with the annual Hartley D. Peavey Award for Entrepreneurial Excellence.
In February 2017, Kathy and Keith pioneered Ballet Magnificat! Brasil, a professional trainee program and performance company headquartered in Curitiba, Brazil. Later in 2017 Kathy transitioned from full time touring with the Alpha Company to oversee more of the day-to-day operations of the companies, Trainee Program and School of the Arts in the Jackson, MS office. She and Keith travel to Brazil several times each year to direct and build the Ballet Magnificat! Brasil program.
Kathy’s passion for the Lord is so evident and she pours herself into serving God and His people through praising Him with the dance. She feels very grateful to be living this life of service and working with her husband, Keith Thibodeaux.
Kathy and Keith have one daughter, Tara Drew, a dancer, teacher, and choreographer, who is married to Bryce Drew, former player in the NBA and the current men's head basketball coach at Grand Canyon University. Tara trained at Ballet Magnificat!, performed with the company for several years, and has set many works on the companies including The Arrival and Stratagem. Tara and Bryce Drew have one son, Bryson.

Sol Maisonet

BALLET MISTRESS

Ms. Sol Maisonet was born in San Juan, Puerto Rico. At age 12 she started her training in classical ballet. Ms. Maisonet received many scholarships from the Puerto Rico Institute of Culture to continue training in Cuba and in New York City. Her instructors included Madame Maggie Black, Ramón Segarra, David Howard, Melissa Hayden, Juan Anduze, and José Pares.
For more than 25 years, Ms. Maisonet performed professionally as a Soloist and Principal Dancer with companies such as Ballet Puertorriqueño, Ballet Theatre of San Juan, Ballet Concierto, and Ballets of San Juan. In 1983, she was invited by the government of Colombia to perform as a Principal Dancer with the “Ballet Nacional of Colombia,” under Artistic Director Ramon Segarra. During her time there, she danced as the lead role in several original ballets choreographed especially for her, such as "Val’s of Ravel," Stravinsky’s "Firebird," "Symphony in Three Movements," and "Ciclos."
She performed principal roles in many classical ballets, including "The Nutcracker," "Les Sylphides," "Swan Lake," "Rites of Spring," "Tango Expectro," "The Merry Widow," George Balanchine’s "Rubies," "Serenade," "Who Cares."
In 1990 she was invited to represent Puerto Rico in Barcelona, Spain, at the 5th Iberoamerican Festival. Performing Cuban choreographer Petra Bravo’s piece, “Que Signo Lleva el Amor,” she became a finalist. In 1992, she joined recognized choreographer Gabry Christa from Holland and Gloria Llompart from Puerto Rico to found the dance company "Danzadentro."
In 1994 she once again represented Puerto Rico in Barcelona, this time with her own choreography, "Una Vez al Mes." Ms. Maisonet represented Puerto Rico and the Virgin Islands, performing in the Latin-American Dance Congress with Bravo's choreography, "Un Solo Dueto," and Gabry Christa's "Matutina.”
Ms. Sol Maisonet has taught classical ballet since 1977. She developed and enhanced the Dance Department Ballet Curriculum for the School of the Arts in Carolina, Puerto Rico and choreographed for several children’s musicals including “Lilipun” and “Aladdin.”
She has been the Guest Master Teacher for Summer Intensives at San Augustine Conservatory of Dance in FL, Rejoice Dance Academy in MS, Ballet Aviv in LA, and Ballet 5:8 in IL. She has served as the Ballet Magnificat Trainee Program Director and the Ballet Magnificat II Artistic Director. From 2001-2011 she served at Ballet Magnificat! as the School of the Arts Principal and developed the Upper School Ballet syllabus which is still in use today. From 2011-2016, she served as adjunct Dance Faculty for Belhaven University and was the Dance Ministry Ensemble Artistic Director. In addition, she served as Rehearsal Director for the fall and spring Belhaven dance concerts. She has trained many successful professional dancers during her career.
Currently, Ms. Maisonet is the Ballet Mistress for Ballet Magnificat! Company and School of the Arts, and is a Rehearsal Director and Master Teacher for the Trainee Company.

Danielle Bridgewater

SCHOOL OF THE ARTS ADMINISTRATOR

Danielle Bridgewater joins Ballet Magnificat!’s School of the Arts as Administrator after nearly two decades of leadership in ballet education, arts administration, and organizational development. As Founder, Owner & Executive Director of the classical ballet school she established in Kentucky, Danielle has provided both artistic and executive leadership since its inception, serving as Artistic Director throughout the school’s first nineteen seasons. She continues to serve as Executive Director while beginning this new role with Ballet Magnificat!.
Throughout her leadership of the school, Danielle has developed curriculum, mentored faculty, directed original productions, expanded educational programming, cultivated community partnerships, and developed programs serving dancers from early childhood through pre-professional training. Her work has been driven by a desire to create meaningful opportunities that inspire students to grow artistically, personally, and in character.
Danielle earned a Bachelor of Arts in Psychology with a minor in Sociology from Georgetown College. She is passionate about building healthy organizations where students, families, and faculty are supported, challenged, and encouraged to pursue excellence. She believes thoughtful leadership creates an environment where people can flourish, relationships are strengthened, and the mission of an organization can thrive.
Ballet Magnificat! has been an encouragement to Danielle for many years, and she has long admired the ministry’s unwavering commitment to glorifying God through the art of dance. She is honored to join the School of the Arts and grateful for the opportunity to contribute to a mission she deeply believes in while serving its students, families, faculty, and broader community.
Danielle and her husband, Barrett, are the parents of two children and are grateful to become part of the Ballet Magnificat! community.